Awaken despairing eyes
A new day dawns
Tragedy betrays beauty
In unbelievable dimensions
Lines are drawn
And heroes fall
Life goes on
But never as before.
The nights are long
Emotions run high
Love is born
And love dies
But we go on
Waiting for the day
Connell still writes a bit.
At the supermarket the toilet paper was out. Shelves were bare. I got home and the news was suggesting that the toilet paper hoarders were using it to protect themselves.
It suddenly occurred to me that there was no need to worry about a zombie apocalypse amidst a mummy one.
Connell apologises for writing a non-fiction story on a fiction site.
She’d sit looking at the perennials starting to bud. Spring was in the air, with the promise of warmer days ahead.
She loved new life springing forth from her planting efforts.
Today the backfilling was done quietly, without hope of life being renewed, as we said goodbye at her graveside.
Connell writes a bit.
“I don’t know. Everything was fine and then nothing, no calls, no messages. She’s ghosted me.”
“You must have done something to upset her.”
“Well, she didn’t like me driving fast.”
“That must be it.”
“Anyway, I’m going out.” Then he walked through the walls to the street.
Connell still writes a bit from time to time.
He saw himself laid out on the table, his heart in one place, his backbone and manhood in various containers.
It was hard to get a word in edgewise as his two ex-girlfriends kept dissecting him into little pieces.
Now he finally understood what “We can still be friends” meant!
Connell continues to be upbeat about writing his biography even if others keep refusing to do it for him. However, he knows someone will eventually take up the mantle which will then free him somewhat to concentrate on getting someone to write his 50-word stories as well.
Before dying, she softly whispered, “I’ve never really loved you, and now I can’t make it up to you.”
He already knew, and consoled, “Don’t worry about that now. I’ve loved you enough for both of us.”
That’s when he saw in her eyes the love he’d always waited for.
Connell is always upbeat about putting something in his bio section and personally writes them all by himself as others couldn’t be bothered doing it for him.
As the gates of Hell locked behind him he felt he had one more chance.
He’d lost his job, house, family, and now his soul. Unperturbed, he strode towards Satan and his entourage.
He only needed to think of one more thing to gamble with to make it all disappear.
Connell doesn’t need to gamble, as putting pen to paper is risky enough. He never knows where the words might take him.
The dead got up from the battlefield. Some played with their wounds. Others witnessed the horror of what they had become. As they walked away a young private looked back and saw their bodies where they’d fallen and sighed, “If all this is for that, why did we bother coming?”
Connell writes a bit and no more.
Some wild-eyed vagrant bursts into a studio and tells a young artist about the evil he’s done and his years on the run. He hands the artist a pistol.
The artist listens attentively before recognising the vagrant’s eyes as his.
Terror… Then resignation follows as he slowly squeezes the trigger.
One of Connell’s many dilemmas is whether to write a bit or not before going to bed. When he writes, he’s sleepy the next day, and when he doesn’t, the ideas slip away.
He meticulously unwraps it to find an android of his deceased father.
It self-activates and tells him his father uploaded all his memories and emotions before he died. It loads and says, “Son! I’m back!”
He shoves the imposter away.
The android weeps for a moment, then deletes its memory.
Connell writes a bit and then goes to bed.