Barely discernible in the gloom, he lay with twisted limbs, his eyes wide, staring. His mouth hung open. Silent. Still. Lifeless.
In contrast was the frantic rush of bluebottles.
Playing the part of a corpse was not a top acting role. He just happened to be rather good at it.
Jean lives in Bath in the UK. She likes to write the occasional fifty word story. As she gets older, they get more occasional.
Roy shifts the heavy workbench, studies the contours in the blanket of dust beneath. Pencils, nutshells. And glasses: thick, over-sized, cracked. Alan.
A breath, a quick polish, and his reflection blinks back at him. It’s changed since he last saw it in those lenses, moments before they hit the floor.
Richard Day Gore
followed his passion for several arts from Virginia to Manhattan, where he worked as Senior Editor of a publishing house specializing in medical anthologies. The experience left him with Chronic Adjective Deprivation Syndrome, the treatment for which is writing fiction. He’s permanently recuperating in Southern California, where he also paints and writes music.
Every year, on the anniversary of the last time he looked into her eyes, he wore the same outfit: a threadbare tweed suit and the ugly necktie she’d always hated. But then, corpses rarely change clothes.
Neither do prisoners, it turned out, because she always wore orange for the occasion.
Michael is a part-time lawyer and a full-time dad. You can read more of his creative writing at timintemecula.wordpress.com.
“Look, Pa! A dead rat!”
“Lemme see, Gerald,” said Pa. “Ah, it’s only a skellington and a bit of skin. Musta died a long time ago. Funny how nice he’s sittin’, like he went out calm and peaceful. Makes you wonder, kinda.”
Deep inside Ratankhamen’s corpse, a long-preserved soul-spark flared.