“Donald, you dropped the mirror on the floor.”
“I know. I was shaving and the thing was sneering at me.”
“You were seeing yourself.”
“I don’t care who I was seeing. I am the president and no one sneers at the president. Get me a new mirror that only smiles.”
Fillip Verdun wrote this story.
In a place with no trees the boys built a forest of stone.
They chiseled and stacked, erecting one here, one there.
They carved branches and engraved leaves.
In daylight the fake trees looked ridiculous.
But at night, when the moon rose, forming long shadows, the world felt like home.
Bob Thurber is the author of “Paperboy: A Dysfunctional Novel” and two collections of stories. A celebrated master of Flash and Micro Fiction, his work has appeared in 60 anthologies, received dozens of awards, and been used in schools and colleges throughout the world. He resides in Massachusetts where, despite severe vision loss, he continues to write every day. Visit his website at BobThurber.net.
Shadow Hands pull off my limbs, gently—methodically. They stack my arms and legs. Toes and fingers face away from me in elegant precision.
But moonlight illuminates a scar from before I can remember, reminding me the foot is mine.
I should want to cry. Morning comes before I can.
Stephanie Jones works as editor of New Jersey Teachers Magazine and features writer at Hot House Jazz Guide and JazzSpeaks.org. When time permits, she hosts a podcast called “After the Call.” Jones graduated from Wellesley College having studied with Frank Bidart and Alicia Erian, and earned her BFA in Jazz Performance from The City College of New York.
One side of his syrinx trilled a curse to his family’s murderer. The other warbled his children’s favorite melodies through sobs. His friends comforted him but discouraged his screams: “You’ll die, by predator or exhaustion.” He always replied: “Can’t die. Already dead.”
The humans nearby praised, “Pretty bird. Beautiful song!”
Nature both terrifies and captivates boomer trujillo. Find more of his work at boomert.info.
Seas warming by degrees, growing more acidic, weakening the skeletons of animals and plants. The scientists call it “mass bleaching.”
Giant clams with green dots on their flesh. The hawksbill turtle and hammerhead shark, damselfish and manta ray turn paler, swimming through rippling tendrils of ghost coral.
Nemo seems unaffected.
Beth Sherman received an MFA in creative writing from Queens College, where she teaches in the English department. Her fiction has appeared in numerous publications, including The Portland Review, Sandy River Review, Blue Lyra Review, Panoplyzine, Peacock Journal, 3Elements Review, Gloom Cupboard, The Delmarva Review, Sou’wester, Sinkhole, Compose Journal, Ponder Review and Marathon Literary Review. She has been nominated for a Pushcart Prize and has written five mystery novels.
Since my grandfather’s death
I’m convinced the clocks
have stopped working properly.
Hours are now arriving
equipped with extra minutes
that weren’t there before.
My throat burns from the scotch in my glass,
but it’s as impermanent
as the fuel trails of the planes above.
It won’t last. Nothing does.
EO is making a first attempt at a humorous fiction novelette called Id/entity, which, if it doesn’t suck, might actually see the light someday on Amazon Kindle. If not, EO will probably make some nice origami, or a LOT of paper footballs.